I look out windows. If I stare or am still too long, nostalgia gnaws at my wrists, at my collarbone. I wish for snow, pray to forget.
I said to you once, Dormancy is the slumber nearest death. It was winter. We were young then, high, in love of a sort. I said, I wonder, in the spring, do trees recall the cold?
Dormant slumber. I’ve known it twice.
The first time from the sickness that came for me not long after my daughter’s birth. I felt off, but that was to be expected. Called a miracle, childbirth diminishes the body. I didn’t go to the doctor. Wasn’t it all in my head?
I was infected. Then hospitalized, emergency surgery. Mom, Dad—take the baby. You… you were too busy. You apologized via text.
Before, I never cried.
Later, daughter’s first word. Mama. That same day you wrapped your hands around my neck to squeeze and squeeze.
Hovering above, I felt serene. Only after would I be troubled by the vision of bulging eyes, slackening arms, baby slipping, slipping to the floor.
World a blur, I ran with baby pressed tight between breasts. She laughed as I pulled the closet door shut behind us.
Mama. Mama. Mama.
You are gone now.
After much restructuring, my life is stable. Calm and quiet, twin balms of healing.
Late at night, old wounds tend to ache, and new scars to itch.
The steadfast routine that keeps a toddler pleasant leaves me yearning. For what? For who I was before you? For something forgotten, or that never was?
Am I sleeping still? Life is too quiet.
I look out windows.
I see dive bars. Bad lighting. Vodka tonics—extra lime. Stranger’s winks. Tequila shots. I can taste the acrid throatburn of cigarettes as I drag past the filter. Overflowing ashtrays and knotted cherry stems.
These days I drink at the kitchen table. A glass of wine. Light beer. Coffee with just a splash of something. I haven’t smoked in a decade. I miss having something to do with my hands.
I look out windows. The forever sunshine doesn’t suit me.
It never snows here. Every few years something resembling snow will drift down. Lasting only long enough to snap a shot of saguaros dusted white. It isn’t the kind that sticks, lending whimsy to winter before turning to slush. It doesn't melt. It evaporates. Not real snow at all.
I tell myself stories about different kinds of deserts, of people carrying a bit of hope tucked inside otherwise empty pockets. I write.
Leigh Madrid lives North of Tucson. She shares a home with her toddler, an antisocial cat, and the occasional scorpion. Inspiration from snowy daydreams and a fondness for dive bars fuel much of her writing.
From the author: I pitched “On the House” to my writing group as “an Irish bar story set in South Dakota.” Later an editor with an Irish surname asked to publish it. I don’t believe in signs…or maybe I do. Either way, I’m very excited for my story to appear in Literary Orphans.